{"id":5957,"date":"2021-06-01T13:18:00","date_gmt":"2021-06-01T20:18:00","guid":{"rendered":"https:\/\/bandworld.org\/magazine\/?p=5957"},"modified":"2025-03-21T12:37:11","modified_gmt":"2025-03-21T19:37:11","slug":"gary-smiths-top-ten","status":"publish","type":"post","link":"https:\/\/bandworld.org\/magazine\/index.php\/gary-smiths-top-ten\/","title":{"rendered":"GARY SMITH\u2019S TOP TEN"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">Musical Definitions<\/h2>\n\n\n\n<ol class=\"wp-block-list\"><li>Accidental &#8211; a wrong note<\/li><li>Attaca \u2013 fire at will!<\/li><li>Augmented Fifth \u2013 a 36 oz. bottle<\/li><li>Conductor \u2013 a musician adept at following many people at the same time<\/li><li>Countertenor \u2013 a singing waiter<\/li><li>Crescendo &#8211; reminder you\u2019ve been playing too loudly<\/li><li>Expressivo &#8211; close eyes &amp; play with wide vibrato<\/li><li>Tempo &#8211; where the headache begins<\/li><li>Transposition &#8211; moving key of piece that is too low for basses to a key too high for sopranos<\/li><li><strong>Virtuoso &#8211; a musician with high morals<\/strong><\/li><\/ol>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Musical Definitions Accidental &#8211; a wrong note Attaca \u2013 fire at will! Augmented Fifth \u2013 a 36 oz. bottle Conductor \u2013 a musician adept at following many people at the same time Countertenor \u2013 a singing waiter Crescendo &#8211; reminder you\u2019ve been playing too loudly Expressivo &#8211; close eyes &amp; play with wide vibrato Tempo [&hellip;]<\/p>\n","protected":false},"author":89,"featured_media":5848,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[244,2],"tags":[528,527,246,664,663],"class_list":["post-5957","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-aba","category-article","tag-aba","tag-american-bandmasters-association","tag-bandworld-magazine","tag-gary-smith","tag-top-ten"],"_links":{"self":[{"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/posts\/5957","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/users\/89"}],"replies":[{"embeddable":true,"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/comments?post=5957"}],"version-history":[{"count":1,"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/posts\/5957\/revisions"}],"predecessor-version":[{"id":5958,"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/posts\/5957\/revisions\/5958"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/media\/5848"}],"wp:attachment":[{"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/media?parent=5957"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/categories?post=5957"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/tags?post=5957"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}