{"id":5463,"date":"2020-10-15T15:19:00","date_gmt":"2020-10-15T22:19:00","guid":{"rendered":"http:\/\/bandworld.org\/magazine\/?p=5463"},"modified":"2020-10-01T15:20:21","modified_gmt":"2020-10-01T22:20:21","slug":"cenotaph","status":"publish","type":"post","link":"https:\/\/bandworld.org\/magazine\/index.php\/cenotaph\/","title":{"rendered":"Cenotaph"},"content":{"rendered":"\n<div class=\"wp-block-image\"><figure class=\"alignleft size-medium\"><a href=\"http:\/\/bandworld.org\/magazine\/?attachment_id=5455\" target=\"_blank\" rel=\"noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"325\" height=\"320\" src=\"http:\/\/bandworld.org\/magazine\/wp-content\/uploads\/2020\/10\/Gettysburg-325x320.jpg\" alt=\"Gettysburg Cover\" class=\"wp-image-5456\" srcset=\"https:\/\/bandworld.org\/magazine\/wp-content\/uploads\/2020\/10\/Gettysburg-325x320.jpg 325w, https:\/\/bandworld.org\/magazine\/wp-content\/uploads\/2020\/10\/Gettysburg-1024x1009.jpg 1024w, https:\/\/bandworld.org\/magazine\/wp-content\/uploads\/2020\/10\/Gettysburg-768x757.jpg 768w, https:\/\/bandworld.org\/magazine\/wp-content\/uploads\/2020\/10\/Gettysburg-696x686.jpg 696w, https:\/\/bandworld.org\/magazine\/wp-content\/uploads\/2020\/10\/Gettysburg-scaled.jpg 1068w, https:\/\/bandworld.org\/magazine\/wp-content\/uploads\/2020\/10\/Gettysburg-426x420.jpg 426w\" sizes=\"auto, (max-width: 325px) 100vw, 325px\" \/><\/a><\/figure><\/div>\n\n\n\n<p><em>by Jack Stamp<\/em><\/p>\n\n\n\n<p><strong>Album Title:<\/strong>\u00a0Gettysburg at 150: 1863-2013 Music of the American Civil War<br><strong>Recording<\/strong>:Sundeman Conservatory Wind Symphony<br><strong>Conductor:<\/strong>Russell McCutcheon<br><strong>Soloists:<\/strong>Brandon Almagro, trumpet; Colin Wise, trombone<\/p>\n\n\n\n<p><strong>Publisher<\/strong>:MARK 50696-MCD<\/p>\n\n\n\n<p><a href=\"https:\/\/www.prestomusic.com\/classical\/products\/8039823--gettysburg-at-150\">Purchase<\/a><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p>Gettysburg at 150 offers an interesting program of twentieth &amp; twenty-first century music that reflects the Civil War era. Cenotaph (Jack Stamp) is a concert fanfare that might represent the construction of monuments\/cenotaphs erected in memory of the human casualties. Unknown Heroes of the Civil War (Craig Thomas Naylor) is based on period hymns and religious music. Gettysburg:The Third Day is Jay Dawson\u2019s vivid portrait of the emotions and tragedies of July 3, 1863. The Ashokan Farewell (Jay Unger\/Calvin Custer) was used as the main theme for the Ken Burns PBS documentary The Civil War. Familiar songs of the era are featured in fine settings of Shenandoah (Frank Ticheli) and Clare Grundman\u2019s The Blue and the Grey. Trumpet and trombone display pieces with band were popular with the Civil War bands; Cousins (Herbert Clarke\/Ray Cramer) spotlights Brandon Almagro &amp; Colin Wise. The concluding work Gettysburg Triumphal March (F. William Sunderman\/Joseph Edison) was composed by the Gettysburg College\/Sunderman Conservatory namesake.&nbsp;<\/p>\n\n\n\n<p><a href=\"http:\/\/bandworld.org\/musiclips\/Cenotaph by Jack Stamp.mp3\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\" (opens in a new tab)\">Listen to recording<\/a><br><\/p>\n","protected":false},"excerpt":{"rendered":"<p>by Jack Stamp Album Title:\u00a0Gettysburg at 150: 1863-2013 Music of the American Civil WarRecording:Sundeman Conservatory Wind SymphonyConductor:Russell McCutcheonSoloists:Brandon Almagro, trumpet; Colin Wise, trombone Publisher:MARK 50696-MCD Purchase Gettysburg at 150 offers an interesting program of twentieth &amp; twenty-first century music that reflects the Civil War era. Cenotaph (Jack Stamp) is a concert fanfare that might represent [&hellip;]<\/p>\n","protected":false},"author":12,"featured_media":5456,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[23],"tags":[],"class_list":["post-5463","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-reviews"],"_links":{"self":[{"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/posts\/5463","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/users\/12"}],"replies":[{"embeddable":true,"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/comments?post=5463"}],"version-history":[{"count":1,"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/posts\/5463\/revisions"}],"predecessor-version":[{"id":5464,"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/posts\/5463\/revisions\/5464"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/media\/5456"}],"wp:attachment":[{"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/media?parent=5463"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/categories?post=5463"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/tags?post=5463"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}