{"id":5454,"date":"2020-10-01T14:01:53","date_gmt":"2020-10-01T21:01:53","guid":{"rendered":"http:\/\/bandworld.org\/magazine\/?p=5454"},"modified":"2023-09-15T15:10:44","modified_gmt":"2023-09-15T22:10:44","slug":"presto-tenebroso","status":"publish","type":"post","link":"https:\/\/bandworld.org\/magazine\/index.php\/presto-tenebroso\/","title":{"rendered":"Presto Tenebroso"},"content":{"rendered":"<p><a href=\"http:\/\/bandworld.org\/magazine\/?attachment_id=5455\" target=\"_blank\" rel=\"noopener noreferrer\" data-wplink-url-error=\"true\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-5455 size-medium\" src=\"http:\/\/bandworld.org\/magazine\/wp-content\/uploads\/2020\/10\/Conclave-325x322.jpg\" alt=\"Conclave Cover\" width=\"325\" height=\"322\" srcset=\"https:\/\/bandworld.org\/magazine\/wp-content\/uploads\/2020\/10\/Conclave-325x322.jpg 325w, https:\/\/bandworld.org\/magazine\/wp-content\/uploads\/2020\/10\/Conclave-1024x1014.jpg 1024w, https:\/\/bandworld.org\/magazine\/wp-content\/uploads\/2020\/10\/Conclave-150x150.jpg 150w, https:\/\/bandworld.org\/magazine\/wp-content\/uploads\/2020\/10\/Conclave-768x761.jpg 768w, https:\/\/bandworld.org\/magazine\/wp-content\/uploads\/2020\/10\/Conclave-696x690.jpg 696w, https:\/\/bandworld.org\/magazine\/wp-content\/uploads\/2020\/10\/Conclave-scaled.jpg 1068w, https:\/\/bandworld.org\/magazine\/wp-content\/uploads\/2020\/10\/Conclave-424x420.jpg 424w\" sizes=\"auto, (max-width: 325px) 100vw, 325px\" \/><\/a><\/p>\n<p><em>by Stanislaw Skrowaczewski<\/em><\/p>\n<p><strong>Album Title:<\/strong> Conclave<br><span class=\"s1\"><strong>Recording<\/strong>:<\/span>North Texas Wind Symphony<br><span class=\"s1\"><strong>Conductor:<\/strong><\/span>Eugene Migliaro Corporon<br><span class=\"s1\"><strong>Publisher<\/strong>:<\/span>GIA Windworks CD-935<\/p>\n<p><\/p>\n<p><a href=\"https:\/\/www.giamusic.com\/store\/resource\/conclave-recording-cd935\">Purchase<\/a><\/p>\n<p class=\"p1\">Conclave begins with an original wind orchestra work by Sergei Prokofiev titled Ode to the End of War. Not too many ensembles can boast the four pianos and eight harps included in the instrumentation. Stanislaw Skrowaczewski is probably best known for his years conducting the Minnesota Symphony Orchestra but his Music for Winds is a fine challenging contribution to the wind orchestra repertoire. Donald Grantham is next with a suite of Barons (Baron La Croix\u2019s Shuffle, Baron Piquant on Point, Baron Samedi\u2019s Sarabande &amp; Soft Shoe, and Baron Cimetiere\u2019s Mambo).<span class=\"Apple-converted-space\">&nbsp; <\/span>The final two compositions are Summerland by William Grant Still (arr. Dane Teter) and Leonard Bernstein\u2019s Divertimento (arr. Clare Grundman). Highly recommended!<\/p>\n<p class=\"p4\">\n<\/p><p class=\"p1\"><a href=\"http:\/\/bandworld.org\/musiclips\/Presto Tenebroso by Stanislaw Skrowaczewski.mp3\" target=\"_blank\" rel=\"noopener noreferrer\" data-wplink-url-error=\"true\">Listen to recording<\/a><\/p>\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>by Stanislaw Skrowaczewski Album Title: ConclaveRecording:North Texas Wind SymphonyConductor:Eugene Migliaro CorporonPublisher:GIA Windworks CD-935 Purchase Conclave begins with an original wind orchestra work by Sergei Prokofiev titled Ode to the End of War. Not too many ensembles can boast the four pianos and eight harps included in the instrumentation. Stanislaw Skrowaczewski is probably best known for [&hellip;]<\/p>\n","protected":false},"author":12,"featured_media":5455,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[23],"tags":[],"class_list":["post-5454","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-reviews"],"_links":{"self":[{"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/posts\/5454","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/users\/12"}],"replies":[{"embeddable":true,"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/comments?post=5454"}],"version-history":[{"count":3,"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/posts\/5454\/revisions"}],"predecessor-version":[{"id":6666,"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/posts\/5454\/revisions\/6666"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/media\/5455"}],"wp:attachment":[{"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/media?parent=5454"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/categories?post=5454"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/tags?post=5454"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}