{"id":5208,"date":"2009-04-01T16:23:28","date_gmt":"2009-04-01T23:23:28","guid":{"rendered":"http:\/\/bandworld.org\/magazine\/?p=5208"},"modified":"2020-03-30T16:55:57","modified_gmt":"2020-03-30T23:55:57","slug":"petite-brise-polynesienne-for-band","status":"publish","type":"post","link":"https:\/\/bandworld.org\/magazine\/index.php\/petite-brise-polynesienne-for-band\/","title":{"rendered":"Petite Brise Polynesienne (for Band)"},"content":{"rendered":"

Editor notes by Max McKee:<\/em>
\nPresented to Bandworld Magazine by our good friend, Claude Pichaureau, past conductor of the Wind Orchestra at the Paris Conservatory in France, “Petite Brise Polynesienne” is intended as a sightreading miniature. We believe you\u2019ll enjoy playing this short composition as a means of teaching specific styles with your own group.<\/p>\n

The score and a complete set of parts can be found in this article.<\/p>\n

Download the score and parts<\/a><\/p>\n

A long-time supporter of our effort through Western International Band Clinic and the American Band College, Claude Pichaureau has provided us with a series of short \u201cstyle pieces\u201d for possible publication in future issues of Bandworld Magazine. I first met Claude while serving on adjudication faculty of Philippe Langlet\u2019s Composition Competition in LeHavre, France in the late \u201880\u2019s. Since that time Claude has appeared as guest conductor with the Western International Band Clinic Honor Bands (Seattle, November 1996) and the American Band College Directors\u2019 Band (Ashland, July 1996 & 2003).<\/p>\n

\"\"<\/a> \"\"<\/a> \"\"<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Editor notes by Max McKee: Presented to Bandworld Magazine by our good friend, Claude Pichaureau, past conductor of the Wind Orchestra at the Paris Conservatory in France, “Petite Brise Polynesienne” is intended as a sightreading miniature. We believe you\u2019ll enjoy playing this short composition as a means of teaching specific styles with your own group. […]<\/p>\n","protected":false},"author":74,"featured_media":5215,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[206,32,243],"tags":[],"class_list":["post-5208","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bandworld-archives","category-music","category-music-article"],"_links":{"self":[{"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/posts\/5208","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/users\/74"}],"replies":[{"embeddable":true,"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/comments?post=5208"}],"version-history":[{"count":3,"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/posts\/5208\/revisions"}],"predecessor-version":[{"id":5218,"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/posts\/5208\/revisions\/5218"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/media\/5215"}],"wp:attachment":[{"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/media?parent=5208"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/categories?post=5208"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/tags?post=5208"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}