{"id":4580,"date":"2020-04-14T14:34:15","date_gmt":"2020-04-14T21:34:15","guid":{"rendered":"http:\/\/bandworld.org\/magazine\/?p=4580"},"modified":"2020-03-19T14:51:40","modified_gmt":"2020-03-19T21:51:40","slug":"all-creatures-of-our-god-and-king","status":"publish","type":"post","link":"https:\/\/bandworld.org\/magazine\/index.php\/all-creatures-of-our-god-and-king\/","title":{"rendered":"All Creatures of Our God and King"},"content":{"rendered":"<p><a href=\"https:\/\/bandworld.org\/magazine\/?attachment_id=4581\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-4581 size-medium\" src=\"https:\/\/bandworld.org\/magazine\/wp-content\/uploads\/2020\/03\/Let-My-Love-325x325.jpg\" alt=\"Let my love be heard cover\" width=\"325\" height=\"325\" srcset=\"https:\/\/bandworld.org\/magazine\/wp-content\/uploads\/2020\/03\/Let-My-Love-325x325.jpg 325w, https:\/\/bandworld.org\/magazine\/wp-content\/uploads\/2020\/03\/Let-My-Love-150x150.jpg 150w, https:\/\/bandworld.org\/magazine\/wp-content\/uploads\/2020\/03\/Let-My-Love-768x768.jpg 768w, https:\/\/bandworld.org\/magazine\/wp-content\/uploads\/2020\/03\/Let-My-Love-1024x1024.jpg 1024w, https:\/\/bandworld.org\/magazine\/wp-content\/uploads\/2020\/03\/Let-My-Love-696x696.jpg 696w, https:\/\/bandworld.org\/magazine\/wp-content\/uploads\/2020\/03\/Let-My-Love.jpg 1068w, https:\/\/bandworld.org\/magazine\/wp-content\/uploads\/2020\/03\/Let-My-Love-420x420.jpg 420w\" sizes=\"auto, (max-width: 325px) 100vw, 325px\" \/><\/a><\/p>\n<p style=\"text-align: left;\"><em>by\u00a0<span class=\"s1\">David Gilson <\/span><\/em><\/p>\n<p style=\"text-align: left;\"><strong>Album Title:<\/strong> <span class=\"s1\">LET MY LOVE BE HEARD<\/span><br \/><span class=\"s1\"><strong>Recording<\/strong>:Concordia University Chicago Wind Symphony<\/span><br \/><span class=\"s1\"><strong>Conductor:<\/strong> Dr. Richard Fischer<\/span><br \/><span class=\"s1\"><b>Soloists:\u00a0<\/b>Emily Pratt-soprano; Katherine Keberlein-soprano; Nicolas Sinatra-harmonica; Tyler Ruthemeyer-accordion; Members of the CUC Choirs<\/span><br \/><span class=\"s1\"><strong>Publisher<\/strong>:\u00a0<\/span><span class=\"s1\">MARK MASTERS 54879-MCD<\/span><\/p>\n<p><a href=\"https:\/\/www.prestomusic.com\/classical\/products\/8664612--let-my-love-be-heard\">Purchase<\/a><\/p>\n<p class=\"p1\"><span class=\"s1\">Let My Love Be Heard is a continuation of the incomparable recordings from the Concordia University Chicago Wind Symphony. The title work is by Jake Runestad and is rich in lyric beauty. Among the treasures found within are Pennsylvania Faux Songs by Johan de Meij. The composer humorously refers to this as a suite of &#8220;folk songs Pennsylvanians forgot to write\u201d but this combination of music and whimsy is sure to please the listener. Katherine Keberlein uplifting voice adds its beauty to I Shall Love But Thee (Jan Van der Roost) while soprano Emily Pratt lends her vocal effervescence to Angels in the Architecture by Frank TIcheli. One interesting selection is David Holsinger\u2019s A Childhood Hymn (Jesus Loves Me). This well known setting is part of the Wingert Jones Achievement series for younger musicians yet has found itself on the programs of the most professional ensembles. Few wind orchestras can match the high quality and consistency of Concordia University Chicago.<\/span><\/p>\n<p class=\"p1\"><a href=\"http:\/\/bandworld.org\/musiclips\/allcreatures.mp3\">Listen to recording<\/a><\/p>\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>by\u00a0David Gilson Album Title: LET MY LOVE BE HEARDRecording:Concordia University Chicago Wind SymphonyConductor: Dr. Richard FischerSoloists:\u00a0Emily Pratt-soprano; Katherine Keberlein-soprano; Nicolas Sinatra-harmonica; Tyler Ruthemeyer-accordion; Members of the CUC ChoirsPublisher:\u00a0MARK MASTERS 54879-MCD Purchase Let My Love Be Heard is a continuation of the incomparable recordings from the Concordia University Chicago Wind Symphony. The title work is by [&hellip;]<\/p>\n","protected":false},"author":12,"featured_media":4581,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[23],"tags":[],"class_list":["post-4580","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-reviews"],"_links":{"self":[{"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/posts\/4580","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/users\/12"}],"replies":[{"embeddable":true,"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/comments?post=4580"}],"version-history":[{"count":1,"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/posts\/4580\/revisions"}],"predecessor-version":[{"id":4582,"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/posts\/4580\/revisions\/4582"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/media\/4581"}],"wp:attachment":[{"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/media?parent=4580"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/categories?post=4580"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/tags?post=4580"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}