{"id":4572,"date":"2020-03-31T12:17:12","date_gmt":"2020-03-31T19:17:12","guid":{"rendered":"http:\/\/bandworld.org\/magazine\/?p=4572"},"modified":"2020-03-19T14:20:46","modified_gmt":"2020-03-19T21:20:46","slug":"saisei-fanfare","status":"publish","type":"post","link":"https:\/\/bandworld.org\/magazine\/index.php\/saisei-fanfare\/","title":{"rendered":"Saisei Fanfare"},"content":{"rendered":"

\"Blessings<\/a><\/p>\n

by Brett William Dietz <\/span><\/em><\/p>\n

Album Title:<\/strong> BLESSINGS FLOW<\/span>
Recording<\/strong>:West Chester University Wind Ensemble<\/span>
Conductor:<\/strong> Andrew Yozviak<\/span>
Soloists: <\/b>Elizabeth Pfaffle – horn<\/span>
Publisher<\/strong>: <\/span>MARK MASTERS 54389-MCD<\/span><\/p>\n

 <\/p>\n

Purchase<\/a><\/p>\n

 <\/span><\/p>\n

When the West Chester University Wind Ensemble releases a new recording you can always expect excellence. Saisei Fanfare by Brett William Dietz is a most engaging concert opener (Saisei is Japanese for \u201cRebirth\u201d). Dr. Yozviak has provided a masterful windstration of the Gordon Jacob Concerto for Horn (and Strings). Elizabeth Pfaffle is definitely up to the challenge of this fine work.<\/span><\/p>\n

Among the symphonies of David Maslanka his most frequently programmed is Symphony No. 4. I would have to say Dr. Yozviak\u2019s interpretation of this one movement symphony is among the finest. Let Blessings Flow into your listening library, you\u2019ll be quite impressed.<\/span><\/p>\n

Listen to recording<\/a><\/p>\n\n\n

<\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

by Brett William Dietz  Album Title: BLESSINGS FLOWRecording:West Chester University Wind EnsembleConductor: Andrew YozviakSoloists: Elizabeth Pfaffle – hornPublisher: MARK MASTERS 54389-MCD   Purchase   When the West Chester University Wind Ensemble releases a new recording you can always expect excellence. Saisei Fanfare by Brett William Dietz is a most engaging concert opener (Saisei is Japanese for \u201cRebirth\u201d). Dr. Yozviak has […]<\/p>\n","protected":false},"author":12,"featured_media":4574,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[23],"tags":[],"_links":{"self":[{"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/posts\/4572"}],"collection":[{"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/users\/12"}],"replies":[{"embeddable":true,"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/comments?post=4572"}],"version-history":[{"count":2,"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/posts\/4572\/revisions"}],"predecessor-version":[{"id":4579,"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/posts\/4572\/revisions\/4579"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/media\/4574"}],"wp:attachment":[{"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/media?parent=4572"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/categories?post=4572"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/tags?post=4572"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}