{"id":4198,"date":"2019-11-10T11:26:15","date_gmt":"2019-11-10T19:26:15","guid":{"rendered":"http:\/\/bandworld.org\/magazine\/?p=4198"},"modified":"2019-10-24T11:36:57","modified_gmt":"2019-10-24T18:36:57","slug":"in-wartime","status":"publish","type":"post","link":"https:\/\/bandworld.org\/magazine\/index.php\/in-wartime\/","title":{"rendered":"In Wartime"},"content":{"rendered":"
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by David Del Tredici<\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

Album Title:<\/strong> SECOND THOUGHTS
Recording<\/strong>:West Chester University Wind Ensemble<\/span>
Conductor:<\/strong> Andrew Yozviak<\/span>
Publisher<\/strong>:MARK Masters -52989- MCD<\/span><\/p>\n

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Andrew Yozviak and the West Chester University Wind Ensemble continue to produce some of the finest recordings available and Second Thoughts is no exception. William Schuman\u2019s New England Triptych needs no introduction to the listener; this unmatched performance features all three movements. In Wartime by David Del Tredici is a descriptive two movement symphony and the composer\u2019s first composition for wind band. Toward the Splendid City (Daniel Danielpour (arranged Peter Stanley Martin) is a vivid musical portrait of New York City and vicinity. The remaining composition is a transcription of Samuel Barber\u2019s First Essay by Joseph Levey. Most unusual about this solid transcription are the recent discovered edits and revisions of Barber fifteen years after his passing adding the composer’s authenticity to Levey\u2019s setting.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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\u00a0 by David Del Tredici Album Title: SECOND THOUGHTSRecording:West Chester University Wind EnsembleConductor: Andrew YozviakPublisher:MARK Masters -52989- MCD Purchase \u00a0 \u00a0 Andrew Yozviak and the West Chester University Wind Ensemble continue to produce some of the finest recordings available and Second Thoughts is no exception. William Schuman\u2019s New England Triptych needs no introduction to the […]<\/p>\n","protected":false},"author":12,"featured_media":4102,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[23],"tags":[],"class_list":["post-4198","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-reviews"],"_links":{"self":[{"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/posts\/4198","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/users\/12"}],"replies":[{"embeddable":true,"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/comments?post=4198"}],"version-history":[{"count":2,"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/posts\/4198\/revisions"}],"predecessor-version":[{"id":4200,"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/posts\/4198\/revisions\/4200"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/media\/4102"}],"wp:attachment":[{"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/media?parent=4198"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/categories?post=4198"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/tags?post=4198"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}