{"id":4195,"date":"2019-11-30T11:15:02","date_gmt":"2019-11-30T19:15:02","guid":{"rendered":"http:\/\/bandworld.org\/magazine\/?p=4195"},"modified":"2020-03-18T08:37:13","modified_gmt":"2020-03-18T15:37:13","slug":"first-light-2","status":"publish","type":"post","link":"https:\/\/bandworld.org\/magazine\/index.php\/first-light-2\/","title":{"rendered":"First Light"},"content":{"rendered":"

\"Music<\/a><\/p>\n

by David Maslanka<\/i><\/span><\/p>\n

Album Title:<\/strong> THE MUSIC OF DAVID MASLANKA: Volume 4 – Symphony No. 10
Recording<\/strong>:University of Utah Wind Ensemble<\/span>
Conductor:<\/strong> Scott Hagen<\/span>
Publisher<\/strong>:\u00a0MARK Masters – 54044-MCD<\/span><\/p>\n

Purchase<\/a><\/p>\n

\u00a0<\/p>\n

While there are numerous great symphonists in the world of orchestral music David Maslanka should come to the forefront of great wind band symphonists. Symphony No. 10: The River of Time is indicative of Maslanka\u2019s extraordinary mastery of instrumentation. The composer\u2019s music always runs the gamut of emotions from stark philosophic moments of meditative simplicity to raw, intense drama and unparalleled power. Matthew Maslanka, the composer\u2019s second son, completed approximately half of the symnphony and is appropriately credited as co-composer. Also included on this CD are First Light and The Seeker, another pair of Maslanka\u2019s masterworks. Scott Hagen and the University of Utah Wind Ensemble professionally interpret the composer\u2019s music as few others can. Detailed program notes included. Very highly recommend!<\/p>\n

.<\/span><\/p>\n

Listen to recording<\/a><\/p>\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

by David Maslanka Album Title: THE MUSIC OF DAVID MASLANKA: Volume 4 – Symphony No. 10Recording:University of Utah Wind EnsembleConductor: Scott HagenPublisher:\u00a0MARK Masters – 54044-MCD Purchase \u00a0 While there are numerous great symphonists in the world of orchestral music David Maslanka should come to the forefront of great wind band symphonists. Symphony No. 10: The […]<\/p>\n","protected":false},"author":12,"featured_media":4103,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[23],"tags":[],"class_list":["post-4195","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-reviews"],"_links":{"self":[{"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/posts\/4195","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/users\/12"}],"replies":[{"embeddable":true,"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/comments?post=4195"}],"version-history":[{"count":1,"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/posts\/4195\/revisions"}],"predecessor-version":[{"id":4196,"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/posts\/4195\/revisions\/4196"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/media\/4103"}],"wp:attachment":[{"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/media?parent=4195"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/categories?post=4195"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/tags?post=4195"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}