{"id":3634,"date":"2019-04-01T11:06:06","date_gmt":"2019-04-01T18:06:06","guid":{"rendered":"http:\/\/bandworld.org\/magazine\/?p=3634"},"modified":"2018-07-31T11:41:14","modified_gmt":"2018-07-31T18:41:14","slug":"chapltepec-mvmt-3-cancion-de-adelita","status":"publish","type":"post","link":"https:\/\/bandworld.org\/magazine\/index.php\/chapltepec-mvmt-3-cancion-de-adelita\/","title":{"rendered":"Chapltepec mvmt 3: Cancion de Adelita"},"content":{"rendered":"<p><a href=\"http:\/\/bandworld.org\/musiclips\/9LatinWinds.mp3\" target=\"_blank\" rel=\"attachment noopener wp-att-3413\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-3600 size-medium\" src=\"https:\/\/bandworld.org\/magazine\/wp-content\/uploads\/2018\/07\/9LatinWinds-325x325.jpg\" alt=\"\" width=\"325\" height=\"325\" srcset=\"https:\/\/bandworld.org\/magazine\/wp-content\/uploads\/2018\/07\/9LatinWinds-325x325.jpg 325w, https:\/\/bandworld.org\/magazine\/wp-content\/uploads\/2018\/07\/9LatinWinds-150x150.jpg 150w, https:\/\/bandworld.org\/magazine\/wp-content\/uploads\/2018\/07\/9LatinWinds-768x768.jpg 768w, https:\/\/bandworld.org\/magazine\/wp-content\/uploads\/2018\/07\/9LatinWinds-1024x1024.jpg 1024w, https:\/\/bandworld.org\/magazine\/wp-content\/uploads\/2018\/07\/9LatinWinds-696x696.jpg 696w, https:\/\/bandworld.org\/magazine\/wp-content\/uploads\/2018\/07\/9LatinWinds.jpg 1068w, https:\/\/bandworld.org\/magazine\/wp-content\/uploads\/2018\/07\/9LatinWinds-420x420.jpg 420w\" sizes=\"auto, (max-width: 325px) 100vw, 325px\" \/><\/a><em><span class=\"s1\">by Carlos Chavez<\/span><\/em><\/p>\n<p><span class=\"s1\"><strong>Album Title:<\/strong>\u00a0 \u00a0\u00a0<\/span><span class=\"s1\">LATIN WINDS<\/span><br \/>\n<span class=\"s1\"><strong>Recording:<\/strong>\u00a0\u00a0<\/span><span class=\"s1\">Royal Northern College of Music Wind Orchestra<\/span><br \/>\n<span class=\"s1\"><strong>Conductor:<\/strong>\u00a0 \u00a0<\/span><span class=\"s1\">Clark Rundell &amp; Mark Heron<br \/>\n<\/span><span class=\"s1\"><strong>Publisher:<\/strong>\u00a0<\/span><span class=\"s1\">Chanos Chan 10975\u00a0 \u00a0 \u00a0<\/span><a href=\"https:\/\/www.chandos.net\/products\/catalogue\/CHAN%2010975\">Purchase<\/a><\/p>\n<p class=\"p1\"><span class=\"s1\">Among the exquisite RNCM recordings are some international themed wind classics (German, French, etc.). Latin Winds continues this fine tradition with legendary works for wind orchestra by three well-known composers. Heitor Villa-Lobos is represented by a pair of compositions written for the famous American Wind Symphony Orchestra. The Fantasia in Three Movements in the Form of a Choros is based on Brazilian free improvised song while Concerto Grosso features a woodwind quartet as the principal soloists. Joaquin Rodrigo\u2019s Adagio for Wind Orchestra is a popular composition frequently performed by ensembles worldwide. Per la flor del lliri Blau (For the Blue Lily) is Rodrigo\u2019s own wind orchestra arrangement of a programmatic 1934 orchestral work. The final work on Latin Winds is the only piece for standard concert band instrumentation. Carlos Chavez\u2019s Chapultepec is the composer\u2019s unique setting of three popular Mexican tunes; the most familiar piece is Marcha Proviniana based on Zacatecas (Genaro Codina). Bravo! to this wonderful collection from the Royal Northern College of Music Wind Orchestra.<\/span><\/p>\n<p><a href=\"http:\/\/bandworld.org\/musiclips\/9LatinWinds.mp3\">Listen to recording<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>by Carlos Chavez Album Title:\u00a0 \u00a0\u00a0LATIN WINDS Recording:\u00a0\u00a0Royal Northern College of Music Wind Orchestra Conductor:\u00a0 \u00a0Clark Rundell &amp; Mark Heron Publisher:\u00a0Chanos Chan 10975\u00a0 \u00a0 \u00a0Purchase Among the exquisite RNCM recordings are some international themed wind classics (German, French, etc.). Latin Winds continues this fine tradition with legendary works for wind orchestra by three well-known composers. [&hellip;]<\/p>\n","protected":false},"author":12,"featured_media":3600,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[23],"tags":[],"class_list":["post-3634","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-reviews"],"_links":{"self":[{"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/posts\/3634","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/users\/12"}],"replies":[{"embeddable":true,"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/comments?post=3634"}],"version-history":[{"count":1,"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/posts\/3634\/revisions"}],"predecessor-version":[{"id":3635,"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/posts\/3634\/revisions\/3635"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/media\/3600"}],"wp:attachment":[{"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/media?parent=3634"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/categories?post=3634"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/tags?post=3634"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}