{"id":3614,"date":"2018-12-01T16:29:39","date_gmt":"2018-12-02T00:29:39","guid":{"rendered":"http:\/\/bandworld.org\/magazine\/?p=3614"},"modified":"2018-07-31T10:44:40","modified_gmt":"2018-07-31T17:44:40","slug":"meditations-at-langunitas","status":"publish","type":"post","link":"https:\/\/bandworld.org\/magazine\/index.php\/meditations-at-langunitas\/","title":{"rendered":"Two Movements for Wind Ensemble mvmt I: St Francis"},"content":{"rendered":"<p><a href=\"http:\/\/bandworld.org\/musiclips\/5StFrancis.mp3\" target=\"_blank\" rel=\"attachment noopener wp-att-3413\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-3604 size-medium\" src=\"https:\/\/bandworld.org\/magazine\/wp-content\/uploads\/2018\/07\/5Scenic-Meditations-325x325.jpg\" alt=\"\" width=\"325\" height=\"325\" srcset=\"https:\/\/bandworld.org\/magazine\/wp-content\/uploads\/2018\/07\/5Scenic-Meditations-325x325.jpg 325w, https:\/\/bandworld.org\/magazine\/wp-content\/uploads\/2018\/07\/5Scenic-Meditations-150x150.jpg 150w, https:\/\/bandworld.org\/magazine\/wp-content\/uploads\/2018\/07\/5Scenic-Meditations-768x768.jpg 768w, https:\/\/bandworld.org\/magazine\/wp-content\/uploads\/2018\/07\/5Scenic-Meditations-1024x1024.jpg 1024w, https:\/\/bandworld.org\/magazine\/wp-content\/uploads\/2018\/07\/5Scenic-Meditations-696x696.jpg 696w, https:\/\/bandworld.org\/magazine\/wp-content\/uploads\/2018\/07\/5Scenic-Meditations.jpg 1068w, https:\/\/bandworld.org\/magazine\/wp-content\/uploads\/2018\/07\/5Scenic-Meditations-420x420.jpg 420w\" sizes=\"auto, (max-width: 325px) 100vw, 325px\" \/><\/a><em>by David Maslanka<\/em><\/p>\n<p><span class=\"s1\"><strong>Album Title:<\/strong>\u00a0 \u00a0<\/span><span class=\"s1\">SCENIC MEDITATIONS<\/span><br \/>\n<span class=\"s1\"><strong>Recording:<\/strong>\u00a0 \u00a0<\/span><span class=\"s1\">Oregon State University Wind Ensemble<\/span><br \/>\n<span class=\"s1\"><strong>Conductor:<\/strong>\u00a0\u00a0<\/span><span class=\"s1\">Dr. Christopher Chapman<\/span><br \/>\n<span class=\"s1\"><strong>Soloist:<\/strong>\u00a0<\/span><span class=\"s1\">Boston Brass and<span class=\"Apple-converted-space\">\u00a0 <\/span>Robert Brudvig, marimba<\/span><br \/>\n<span class=\"s1\"><strong>Publisher:\u00a0 \u00a0<\/strong><\/span><span class=\"s1\">MARK RECORDS\u00a0 53081-MCD<\/span><\/p>\n<p><a href=\"https:\/\/www.prestoclassical.co.uk\/classical\/products\/8439021--scenic-meditations\">Purchase<\/a><\/p>\n<p class=\"p1\"><span class=\"s1\">Scenic Meditations opens with Meditations at Langunitas by Paul Dooley. It is a most descriptive landscape based on the philosophical poem of Robert Hass, It is followed by the first movement of Bradley Bodine\u2019s Marimba Concerto. Originally composed for orchestra the composer displays the marimba to its finest virtuosity. St. Francis: Two Studies for Wind Ensemble is by David Maslanka and is most indicative of the unparalleled writing of this master composer the world lost last year. The program concludes with Noite De Novo Nascimento for brass quintet and wind ensemble. Kevin Walczyk wrote this \u201cNight of the New Birth\u201d especially for the Boston Brass and the work features African laden folk elements of Brazilian music along with improvisation from the soloists. Scenic Meditations is a most impressive recording the listener will truly appreciate.<\/span><\/p>\n<p><a href=\"http:\/\/bandworld.org\/musiclips\/5StFrancis.mp3\">Listen to recording<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>by David Maslanka Album Title:\u00a0 \u00a0SCENIC MEDITATIONS Recording:\u00a0 \u00a0Oregon State University Wind Ensemble Conductor:\u00a0\u00a0Dr. Christopher Chapman Soloist:\u00a0Boston Brass and\u00a0 Robert Brudvig, marimba Publisher:\u00a0 \u00a0MARK RECORDS\u00a0 53081-MCD Purchase Scenic Meditations opens with Meditations at Langunitas by Paul Dooley. It is a most descriptive landscape based on the philosophical poem of Robert Hass, It is followed by [&hellip;]<\/p>\n","protected":false},"author":12,"featured_media":3604,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[23],"tags":[],"class_list":["post-3614","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-reviews"],"_links":{"self":[{"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/posts\/3614","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/users\/12"}],"replies":[{"embeddable":true,"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/comments?post=3614"}],"version-history":[{"count":2,"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/posts\/3614\/revisions"}],"predecessor-version":[{"id":3633,"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/posts\/3614\/revisions\/3633"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/media\/3604"}],"wp:attachment":[{"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/media?parent=3614"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/categories?post=3614"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/tags?post=3614"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}