{"id":3612,"date":"2018-11-01T16:17:29","date_gmt":"2018-11-01T23:17:29","guid":{"rendered":"http:\/\/bandworld.org\/magazine\/?p=3612"},"modified":"2018-07-31T10:42:41","modified_gmt":"2018-07-31T17:42:41","slug":"radix-tyrannis","status":"publish","type":"post","link":"https:\/\/bandworld.org\/magazine\/index.php\/radix-tyrannis\/","title":{"rendered":"CIrcus Vaudeville"},"content":{"rendered":"<p><a href=\"http:\/\/bandworld.org\/musiclips\/4Circus.mp3\" target=\"_blank\" rel=\"attachment noopener wp-att-3413\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-3605 size-medium\" src=\"http:\/\/bandworld.org\/magazine\/wp-content\/uploads\/2018\/07\/4Radix-Tyrannis-325x325.jpg\" alt=\"\" width=\"325\" height=\"325\" srcset=\"https:\/\/bandworld.org\/magazine\/wp-content\/uploads\/2018\/07\/4Radix-Tyrannis-325x325.jpg 325w, https:\/\/bandworld.org\/magazine\/wp-content\/uploads\/2018\/07\/4Radix-Tyrannis-150x150.jpg 150w, https:\/\/bandworld.org\/magazine\/wp-content\/uploads\/2018\/07\/4Radix-Tyrannis-768x768.jpg 768w, https:\/\/bandworld.org\/magazine\/wp-content\/uploads\/2018\/07\/4Radix-Tyrannis-1024x1024.jpg 1024w, https:\/\/bandworld.org\/magazine\/wp-content\/uploads\/2018\/07\/4Radix-Tyrannis-696x696.jpg 696w, https:\/\/bandworld.org\/magazine\/wp-content\/uploads\/2018\/07\/4Radix-Tyrannis.jpg 1068w, https:\/\/bandworld.org\/magazine\/wp-content\/uploads\/2018\/07\/4Radix-Tyrannis-420x420.jpg 420w\" sizes=\"(max-width: 325px) 100vw, 325px\" \/><\/a><em><span class=\"s1\">by Paul Basler<\/span><\/em><\/p>\n<p><span class=\"s1\"><strong>Album Title:<\/strong>\u00a0 \u00a0\u00a0<\/span><span class=\"s1\">RADIX TYRANNIS<\/span><br \/>\n<span class=\"s1\"><strong>Recording:<\/strong>\u00a0\u00a0<\/span><span class=\"s1\">American Chamber Winds<\/span><br \/>\n<span class=\"s1\"><strong>Conductor:<\/strong>\u00a0 \u00a0<\/span><span class=\"s1\">David A. Waybright<br \/>\n<strong>Soloist:<\/strong>\u00a0 \u00a0<\/span><span class=\"s1\">Joseph Alessi, trombone <\/span><span class=\"s1\"><strong>Publisher:<\/strong>\u00a0<\/span><span class=\"s1\">MARK Masters 53316-MCD<\/span><\/p>\n<p><a href=\"https:\/\/www.prestoclassical.co.uk\/classical\/products\/8429503--radix-tyrannis\">Purchase<\/a><\/p>\n<p class=\"p1\"><span class=\"s1\">The title work by Peter Van Zandt Lane portrays a trombone tyrant and his wind ensemble minions. One of the true trombone masters Joseph Alessi is the soloist in this one movement concerto. Michael Torke\u2019s Overnight Mail is a three-movement work (Priority, Standard and Saturday Delivery) that sparkles through \u201cneither snow, nor rain\u201d. The challenging music of Edgard Varese is familiar to many; Octandre is an octet for winds and string bass. Guest conductor for this composition is John M. Watkins, Jr. Excerpts from Mozart\u2019s Marriage of Figaro are featured in a setting by Alfredo Bernardini. Also included is Four Hands for Harmonie Music by Carl Maria Von Weber; John Mitchell Laverty has arranged these works with their exact melodies, form and harmonic structure which contrasts with the popular Hindemith Symphonic Metamorphosis.. A pair of circus attractions close the program; Stravinsky\u2019s Circus Polka and Paul Basler\u2019s Circus Vaudeville. A splendid program by the American Chamber Winds that should find a place in your listening library.<\/span><\/p>\n<p><a href=\"http:\/\/bandworld.org\/musiclips\/4Circus.mp3\">Listen to recording<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>by Paul Basler Album Title:\u00a0 \u00a0\u00a0RADIX TYRANNIS Recording:\u00a0\u00a0American Chamber Winds Conductor:\u00a0 \u00a0David A. Waybright Soloist:\u00a0 \u00a0Joseph Alessi, trombone Publisher:\u00a0MARK Masters 53316-MCD Purchase The title work by Peter Van Zandt Lane portrays a trombone tyrant and his wind ensemble minions. One of the true trombone masters Joseph Alessi is the soloist in this one movement concerto. [&hellip;]<\/p>\n","protected":false},"author":12,"featured_media":3605,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[23],"tags":[],"_links":{"self":[{"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/posts\/3612"}],"collection":[{"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/users\/12"}],"replies":[{"embeddable":true,"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/comments?post=3612"}],"version-history":[{"count":3,"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/posts\/3612\/revisions"}],"predecessor-version":[{"id":3632,"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/posts\/3612\/revisions\/3632"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/media\/3605"}],"wp:attachment":[{"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/media?parent=3612"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/categories?post=3612"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/tags?post=3612"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}