{"id":2492,"date":"2018-03-02T12:22:13","date_gmt":"2018-03-02T20:22:13","guid":{"rendered":"http:\/\/bandworld.org\/Articles\/?p=2492"},"modified":"2018-03-14T15:17:09","modified_gmt":"2018-03-14T22:17:09","slug":"serenade-no-10-finale","status":"publish","type":"post","link":"https:\/\/bandworld.org\/magazine\/index.php\/serenade-no-10-finale\/","title":{"rendered":"Serenade No. 10 Finale"},"content":{"rendered":"<div align=\"center\">\n<figure id=\"attachment_2493\" aria-describedby=\"caption-attachment-2493\" style=\"width: 198px\" class=\"wp-caption alignleft\"><a href=\"http:\/\/www.bandworld.org\/MusiClips\/MC332Serenade.mp3\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-2493 size-full\" src=\"https:\/\/bandworld.org\/magazine\/wp-content\/uploads\/2018\/03\/MC53Mozart.jpg\" alt=\"Mozart Symphony no. 10\" width=\"198\" height=\"198\" srcset=\"https:\/\/bandworld.org\/magazine\/wp-content\/uploads\/2018\/03\/MC53Mozart.jpg 198w, https:\/\/bandworld.org\/magazine\/wp-content\/uploads\/2018\/03\/MC53Mozart-150x150.jpg 150w\" sizes=\"auto, (max-width: 198px) 100vw, 198px\" \/><\/a><figcaption id=\"caption-attachment-2493\" class=\"wp-caption-text\"><center>Click photo to play recording<\/center><\/figcaption><\/figure>\n<p style=\"text-align: left;\"><em>by Wolfgang Amadeus Mozart<\/em><\/p>\n<\/div>\n<p class=\"style31\" align=\"left\">Album Title: MOZART SERENADE NO. 10 &#8220;GRAN PARTITA&#8221;&nbsp;<br \/>\nRecording:&nbsp;London Symphony Orchestra Wind Ensemble<br \/>\nConductor:&nbsp;Lorenzo Iosco&nbsp;<br \/>\nPublisher: LSO Live SACD LSO5075&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;<a href=\"http:\/\/www.classical.net\/music\/recs\/reviews\/l\/lso05075a.php\">Purchase CD<\/a><\/p>\n<p class=\"style31\" align=\"left\">This legendary composition by Mozart doesn&#8217;t need any introduction to orchestra and wind ensemble players. This masterwork for a dozen wind players plus string bass (or contrabassoon) is a historic seven-movement composition for a large ensemble of wind instruments. The choice of string bass is used for this performance and serves as a supportive voice that can be both heard and felt. A pair of basset horns play a very important role within the Serenade; their voices could be considered the predecessors to future harmony clarinets. There are a few modern-day wind ensembles that will revive the basset horn to substitute for or strengthen the alto clarinet usage. The Christmas Clarinets CD reviewed in this issue is a prime example. The performance by the members of the London Symphony Orchestra is most exquisite. Every audio music library should have a quality recording of the Gran Partita and this would be a splendid version.<\/p>\n<p><a href=\"http:\/\/bandworld.org\/MusiClips\/MC332Serenade.mp3\">Play Recording<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>by Wolfgang Amadeus Mozart Album Title: MOZART SERENADE NO. 10 &#8220;GRAN PARTITA&#8221;&nbsp; Recording:&nbsp;London Symphony Orchestra Wind Ensemble Conductor:&nbsp;Lorenzo Iosco&nbsp; Publisher: LSO Live SACD LSO5075&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;Purchase CD This legendary composition by Mozart doesn&#8217;t need any introduction to orchestra and wind ensemble players. This masterwork for a dozen wind players plus string bass [&hellip;]<\/p>\n","protected":false},"author":12,"featured_media":2493,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[23],"tags":[],"class_list":["post-2492","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-reviews"],"_links":{"self":[{"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/posts\/2492","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/users\/12"}],"replies":[{"embeddable":true,"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/comments?post=2492"}],"version-history":[{"count":11,"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/posts\/2492\/revisions"}],"predecessor-version":[{"id":3132,"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/posts\/2492\/revisions\/3132"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/media\/2493"}],"wp:attachment":[{"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/media?parent=2492"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/categories?post=2492"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/bandworld.org\/magazine\/index.php\/wp-json\/wp\/v2\/tags?post=2492"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}